welcome to the bohemian sugarshack, formerly known as the boho ho' house. this is the home of beautifully adorned, naturally voluptuous ladies with locs, fros and braids schooled in the sensual arts of massage, aromatherapy, and gettin' down. start with the grand tour, then sit back, sip some herbal tea, and prepare to be delighted by the 21st century qadishtu...
1.09.2009
in the waiting room...
janet jackson
"moist"
You're feelin' in it
You're ticklin' it
You're swimming in it
You're gonna get it
I'm insatiable
And it's all your fault
So much lust involved
To get me off
My water falls
Your sexuality (breeds)
A storm inside of me (seas)
A touch is all I need
To make me scream
Obscenities
Every time you whisper in my ear I get aroused
You begin to slowly unbutton my blouse
Kissing on my skin my heart's racing now
I want you boy
Caught up in the waves of passion up and down
Love the way you movin?my body all around
Boy you 'bout to make the rain come down
[Chorus]
Feel my rain come
Pouring soaking
Longing your lips
Baby ooh
You make it so moist
When my ocean's overflowing
Afterglowing
Take me oooh
You make me so moist
Orgasmic
Row it just like that
Hope you like drowning in it
You won't have a life jacket
My thirst is quenched
Ooh baby we're so drenched
Our body's rhythms are
So cataclysmic
Got me twisted
Feeling your anatomy breaking me down
Sucking on my (mmm) with ice in your mouth
Hurry and undress me take me right now
I'm wet for you boy
Caught up in the waves of passion up and down
Love the way you movin?my body all around
Boy you know you make the rain come down
You know how to make my rain come down
[Chorus]
[4x]
You're feelin' in it
You're ticklin' it
You're swimming in it
You're gonna get it
Moist
1.07.2009
the headwrap: yet another african survival
brought to you by the motherland and the millions transported during the middle passage.
peep this excerpt on the cultural differences between methods of head-covering:
{viewed on sistren rising's blog.}
peep this excerpt on the cultural differences between methods of head-covering:
Tying a piece of cloth around the head is not specific to any one cultural group. Men and women have worn and continue to wear some type of fabric head covering in many societies. What does appear to be culturally specific, however, is the way the fabric is worn; in other words, the style in which the fabric is worn is the ultimate cultural marker. Here, .style" is not used to mean a particular fashion. Rather, I use the term to mean a studied way of presenting the self-an idea of how one ought to appear before others. In order to explore this concept, careful note must be taken of the significant difference between the style of cloth head coverings as worn by white women and the headwrap as styled by black women.
To wrap her head, a European or white American woman simply folds a square piece of fabric into a triangular shape and covers her hair by tying the fabric under her chin; or, less often, by tying it at the nape of the neck. In either case, the untied points of fabric are left to fall down over the back of the head. The Euro American style results in a head covering which flattens against the head and encloses the face, and thus visually seems to pull the head down. The terms "scarf" or "kerchief" usually denote this type of head covering. Scarves are not particularly popular items of white American women's fashion today, but when they are worn, they consistently are arranged in the manner just described.
By contrast, a woman of African ancestry folds the fabric into a rectilinear shape rather than into a triangle. The most significant difference between the Euro- American and Afro-centric manner of styling the cloth is that rather than tying the knot under her chin, the African American woman usually ties the knots somewhere on the crown of her head, either at the top or on the sides, often tucking the ends into the wrap.
Although the African American woman sometimes ties the fabric at the nape of the neck, her form of styling always leaves her forehead and neck exposed; and, by leaving her face open, the headwrap visually enhances the facial features. The African American headwrap thus works as a regal coronet, drawing the onlooker's gaze up, rather than down. In effect, African and African American women wear the headwrap as a queen might wear a crown. In this way the headwrap corresponds to African and African American women's manner of hair styling, wherein the hair is pulled so as to expose the forehead and is often drawn to a heightened mass on top of the head. In striking comparison, the scarf worn by white women emulates the way in which the hair of people of European ancestry naturally grows: falling downward and often arranged to cover the forehead.
{viewed on sistren rising's blog.}
1.04.2009
quickie!
if you haven't seen man and wife, do yourself a favor and check it out.
shanda and scoop: black love for the hip hop generation.
shanda and scoop: black love for the hip hop generation.
what it look like:
relationships,
things to do when you're not here,
video
sexy news
hmm. no comment on this one...rethinking the student/pupil taboo
new anthology...behind the bedroom door
can an affair be a good thing? another no comment...conference lovin' puts a spark back in married life
new anthology...behind the bedroom door
can an affair be a good thing? another no comment...conference lovin' puts a spark back in married life
what it look like:
international lovah,
news,
relationships
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